Product Description
Academy Award® winner Denzel Washington stars in this “riveting and powerful nail-biting thriller1” from Robert Zemeckis, the Academy Award®winning director of Forrest Gump and Cast Away. Airline pilot Whip Whitaker (Washington) miraculously lands his plane after a mid-air catastrophe. But even as he’s being hailed for his heroic efforts, questions arise as to who or what was really at fault. Action-packed, engrossing and powerful, Washington’s performance is being hailed as “a triumph2” and one that “will be talked about for years. 3”
1 Pete Hammond, Deadline Hollywood
2 Richard Corliss, TIME
3 Peter Travers, Rolling Stone
Rating: R For Drug and Alcohol Abuse, Language, Sexuality/Nudity and an Intense Action Sequence
Amazon.com
Few directors can meld high-tech whiz-bang with solid narrative values like Robert Zemeckis, a filmmaker whose best work (Who Framed Roger Rabbit, the Back to the Future trilogy, Cast Away) stands tall among the blockbusters. Although there have been times when Zemeckis's insistence on pushing the special effects envelope can end up overshadowing the story being told (as in his animated version of A Christmas Carol), his innate gifts persist: when he's in the groove, he can show you something you've never seen before, as well as a reason to care about it. Flight, the director's first wholly live-action film in over a decade, serves as a reminder of just how good he can be, featuring both an exquisitely terrifying crash sequence and a fearless central performance from Denzel Washington. John Gatins's script serves as a bizarro inversion of the Sully Sullenberger tale: when a routine flight over Atlanta goes terrifyingly wrong, the aircraft's pilot (Washington) saves his passengers with a near-miraculous display of skill. As the investigation into the disaster begins, however, it becomes apparent that its hero's impromptu bravery hides a multitude of bad habits. Washington does a brilliant job as a man who is all too aware of his feet of clay, subverting his innate nobility to shattering effect. (As in the earlier Training Day, when he goes to the dark side, the shock ripples the screen.) The strength of his central performance is only amplified by some outstanding supporting work from Kelly Reilly (as a recovering heroin addict), Don Cheadle, Bruce Greenwood, and a scene-stealing John Goodman, who gets a few lines crass enough to remind you that yes, Zemeckis is the same person who once made the low-taste classic Used Cars. Impressive as the cast is, though, it's unlikely that things would work nearly as well without the director's grasp of the material, which shifts between horror, black comedy, and uplifting pathos without missing a beat. In his hands, this potential sap story makes for a smart, worldly addiction saga that blessedly refuses to stay within the usual melodramatic lines. Just don't ever, ever expect to see it as the in-flight entertainment. --Andrew Wright
